Unless otherwise noted, all screenings take place in the Rubenstein Arts Center's film theater, and all events are Free and Open to the Public.
High Life (2019) | Claire Denis Thursday, August 29, 2019 - 7:00pm Monte (Robert Pattinson) and his baby daughter are the last survivors of a damned and dangerous mission to deep space. The crew—death-row inmates led by a doctor (Juliette Binoche) with sinister motives—has vanished. It’s a Claire Denis film: erotic, disturbing, philosophical, masterful. |
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Long Day’s Journey Into Night (2019) | Bi Gan [2D DCP] Friday, August 30, 2019 - 7:00pm Bi Gan follows up his knockout debut, Kaili Blues, with this noir-tinged stunner about a lost soul (Jue Huang) on a quest to find a missing woman from his past (Tang Wei). China's biggest arthouse hit of all time. Shown in 2D. |
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A Faithful Man (2019) | Louis Garrel Thursday, September 5, 2019 - 7:00pm Nine years after his wife left him for his best friend, journalist Abel (Louis Garrel) gets back together with his recently widowed old flame Marianne (Laetitia Casta), who, if her morbid young son is to be believed, has a thing for poisoning men. A beguiling bedroom farce and Nouvelle Vague sendup. |
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Diamantino (2019) | Gabriel Abrantes + Daniel Schmidt Friday, September 6, 2019 - 7:00pm When big-hearted but dimwitted Portuguese soccer hunk Diamantino (Carloto Cotta) blows it in the World Cup, he nourishes his newfound sympathy for the plight of European refugees, adopting a “son” from Africa who turns out to be an undercover lesbian tax auditor with other motives... |
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The Kneeling Goddess (1947) | Roberto Gavaldón Thursday, September 12, 2019 - 7:00pm The miraculous María Félix plays a stormy artist’s model who leads the ever-hapless Arturo de Córdova away from the arms of his innocent wife and down, down, down into the ecstatic depths of degradation. |
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In the Palm of Your Hand (1951) | Roberto Gavaldón Friday, September 13, 2019 - 7:00pm A fortune-telling con artist with dreams of grandeur finds himself overmatched by a murderous widow in this blisteringly tense Mexican noir. |
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Ash is Purest White (2019) | Jia Zhangke Thursday, September 19, 2019 - 7:00pm In a career-high performance, Zhao Tao stars as the fiercely loyal girlfriend of a local gangster played by Liao Fan. Enduring a prison sentence on his behalf, she emerges to find a changed China. |
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An Elephant Sitting Still (2018) | Hu Bo Friday, September 20, 2019 - 7:00pm Sure to be remembered as a landmark in Chinese cinema, the late Hu Bo’s first and final feature film combines long-take heroics with a deeply felt series of interwoven stories. |
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This Taco Truck Kills Fascists (2018) | Rodrigo Dorfman in attendance Thursday, September 26, 2019 - 7:00pm New Orleans-based performance activist Jose Torres-Tama has a dream to create a revolutionary Taco Truck Theatre with a simple message: “No guacamole for immigrant haters”.-- Rodrigo Dorfman in attendance |
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The Headless Woman (2008) | Lucrecia Martel | BrainCultures Series Friday, September 27, 2019 - 7:00pm Martel’s extraordinary third film gets inside the head of a successful middle-aged dentist who might have accidentally run over a child...or a dog...or nothing at all. The masterful film - shades of Hitchcock’s Vertigo - continues Martel’s explorations into the hypocrisies of Argentina’s bourgeoisie. |
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Police Story (1985) | Jackie Chan [2pm] - New Restoration Saturday, September 28, 2019 - 2:00pm The jaw-dropping set pieces fly fast and furious in Jackie Chan’s breathtakingly inventive martial-arts comedy. Packed wall-to-wall with charmingly goofball slapstick and astoundingly acrobatic fight choreography, Police Story set a new standard for mayhem that would influence a generation of filmmakers from Hong Kong to Hollywood. |
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Documenteur (1981) | Tribute to Agnès Varda (1928-2019) Thursday, October 3, 2019 - 7:00pm The late, great Varda deemed Documenteur her favorite of her own films. A deeply moving, semi-autobiographical portrayal of a newly single French mother and son (played by Varda’s own son Mathieu) who struggle to find a home in the unglamorous underworlds of Los Angeles. |
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Irma Vep (1996) | Films of Olivier Assayas Wednesday, October 9, 2019 - 7:00pm Olivier Assayas’s live-wire international breakthrough stars a magnetic Maggie Cheung as a version of herself: a Hong Kong action movie star who arrives in Paris to play the latex-clad lead in a remake of Louis Feuillade’s classic 1915 crime serial Les vampires. |
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Summer Hours (2008, 35mm) | Films of Olivier Assayas Thursday, October 10, 2019 - 7:00pm Three siblings must decide what to do with the country estate and objects they’ve inherited from their mother. From this simple story, Assayas creates an exquisitely nuanced drama about the material of globalized modern living.. |
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Clouds of Sils Maria (2014) | Films of Olivier Assayas Friday, October 11, 2019 - 7:00pm Kristen Stewart plays the personal—perhaps too personal—assistant to a famous actress (Juliet Binoche) undergoing a crisis as she comes to terms with the fact that she has aged out of the ingénue roles that made her a star. |
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The Old Dark House (1932) | James Whale Thursday, October 17, 2019 - 7:00pm Presented in a dazzling restoration, this Pre-Code horror classic gives creepy-house conventions a wild and unpredictable spin, laced with black humor, sexual perversity, and expressive stylistic flourishes. |
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The Craft (1996, 35mm) | Andrew Fleming Friday, October 18, 2019 - 7:00pm The Craft has re-emerged as a defining cult movie of female empowerment, survival in the modern world, and excellent mid-90s fashion. |
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The Cordillera of Dreams (Patricio Guzmán, 2019) | NC Latin American Film Festival Opening Night Sunday, October 20, 2019 - 7:00pm "Acclaimed Chilean director Patricio Guzmán finishes his geographic trilogy about his home country with this ode to the Andes, a majestic crossing point for him and many others." -- Thom Powers, Toronto International Film Festival |
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Self-Portrait: Window in 47KM (2019) | Zhang Mengqi | The Memory Project Tuesday, October 22, 2019 - 7:00pm The eighth film in Zhang Mengqi’s monumental 47km series follows an 85-year-old man reflecting on his revolutionary history in pursuit of Mao’s “New China” and the 15-year-old woman whose portrait painting practice elicits his memories.-- Zhang Mengqi in attendance |
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Dumb Men (2018) | Hu Tao | The Memory Project Thursday, October 24, 2019 - 7:00pm “People in my hometown call those who are shy and untalkative “touxiuzi”. As a touxiuzi in our family, I try to uncover and open up the real heart beating under our touxiuzi exterior.” (HT) -- Hu Tao in attendance |
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Autobiography II: Struggle (2018) | Wu Wenguang | The Memory Project Friday, October 25, 2019 - 7:00pm “My birth was accompanied by many struggles for my mother. Those “struggles” include: during pregnancy, “should this child be kept,” to the painful struggles in the delivery process. Struggles have also accompanied since I was born, becoming part of my life.” (WW) -- Wu Wenguang in attendance |
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"Reading Father" | Live Reading + Performance | The Memory Project Monday, October 28, 2019 - 7:00pm Note: Performance takes place in Ruby Studio 124 Reading Father attempts to open up the obscure passageway to the history of Mao era, by rereading official documents, the “files” on an “anti-revolutionary” person. -- Wu Wenguang, Zhang Mengqi, and Hu Tao in attendance |
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The Infiltrators (2019) | Cristina Ibarra & Alex Rivera | NC Latin American Film Festival Wednesday, October 30, 2019 - 7:00pm A real life story of undocumented youth – Dreamers – deliberately getting themselves detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center. -- Co-producer Sarah Garrahan (Duke MFA '14) in attendance |
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Edge of the Knife (SGaawaay K’uuna) (2018) | Gwaai Edenshaw & Helen Haig-Brown | Native Voices [3pm] Sunday, November 3, 2019 - 3:00pm https://ami.duke.edu/sites/ami.duke.edu/files/EdgeOfTheKnife--Flyer.pdfNote: Screening in the Nasher Museum |
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2019 AMI Student Film Festival Thursday, November 7, 2019 - 7:00pm Curated festival of notable student films produced in Spring 2019 AMI Courses at Duke University. |
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Pee Wee’s Big Adventure (1985, 35mm) | Tim Burton [2pm] Saturday, November 9, 2019 - 2:00pm A film about one man-child’s search for his stolen red bicycle leads to a series of mystifying encounters with ghost truckers, fortune tellers, rowdy bikers, and giant tourist-trap dinosaurs - culminating in a last stand at the Alamo. |
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Mulholland Drive (2001, 35mm) | David Lynch | BrainCultures Series Thursday, November 14, 2019 - 7:00pm Bright-eyed aspiring actress Betty (Naomi Watts) arrives in LA with dreams of stardom, but soon finds herself sucked into the nightmarish underbelly of Hollywood’s Dream Factory as she becomes entangled with an amnesiac femme fatale (Laura Harring) -- Best Film of the Decade, Film Comment |
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Eyes Wide Shut (1999) | Stanley Kubrick Friday, November 15, 2019 - 7:00pm Then-couple Tom Cruise and Nicole Kidman star as a New York doctor and art dealer whose stoned admissions of erotic longings throw their marriage into doubt - and lead Cruise to the center of a shadowy sex cult populated by a corrupt and decadent social elite. |
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My First Film (2019) | Zia Anger live performance Saturday, November 16, 2019 - 7:00pm My First Film (Zia Anger, 2019, 90 min) |
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Kayak to Klemtu (2017) | Zoe Leigh Hopkins | Native Voices Sunday, November 17, 2019 - 3:00pm Note: Screening in the Nasher Museum |
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Navajo Talking Picture (1985) | Arlene Bowman | Native Voices Wednesday, November 20, 2019 - 7:00pm Film student Arlene Bowman (Navajo) travels to the Reservation to document the traditional ways of her grandmother. The filmmaker persists despite her grandmother's forceful objections to this invasion of her privacy. A thought-provoking work which abruptly calls into question issues of "insider/outsider" status... |
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Mekko (2015) | Sterlin Harjo | Native Voices Friday, November 22, 2019 - 7:00pm After two decades in prison, Mekko is released onto the streets of Tulsa. Falling in with a group of homeless Native Americans, he begins to uncover a darkness that threatens to consume his new community. |
Unless otherwise noted, all screenings take place in the Rubenstein Arts Center's film theater, and all events are Free and Open to the Public.