New Day Films 50th Anniversary Series (Day 3) *2PM Matinee*

Location: Rubenstein Arts Center Film Theater

New Day Films 50th Anniversary Series

Duke University's Archive of Documentary Arts and Screen/Society, along with the Power Plant Gallery, are proud to present four days of screenings and discussions celebrating more than 50 years of New Day Films.

Day 3: Shorts Program (TRT: 121 min)

Deadly Deception - General Electric, Nuclear Weapons, and Our Environment
(Debra Chasnoff, 1991, 27min, USA, English, Digital)

The Academy Award-winning Deadly Deception juxtaposes GE's rosy "We Bring Good Things To Life" commercials with the true stories of workers and neighbors whose lives have been devastated by the company's involvement in building nuclear bombs.

A Cerebral Game
(Reid Davenport, 2017, 7min, USA, English,
Digital)

Baseball was so much more than a game for Reid Davenport when he was growing up. It was about belonging and being a teammate, despite having cerebral palsy. In this intimately personal film, Reid explores the parallel between his adolescent loneliness and his ultimate rejection of the game he loved.

Bachelorette, 34
(Kara Herold, 2009, 30min, USA, English, 
Digital)

Kara's mother is obsessed with getting her daughter married. Kara, a single artist and filmmaker in San Francisco, has her doubts. Through the microcosm of her often hilarious interactions with her mom, Kara Herold's Bachelorette, 34 examines the pressure society puts on women to find "Mr. Right."

Cruisin’ J-Town
(Duane Kubo & Visual Communications, 1975, 24min, USA, English, Digital)

Cruisin' J-Town celebrates the music and influences of contemporary Asian American culture on Dan Kuramoto, June Okida Kuramoto, and Johnny Mori — three musicians who make up the core of the jazz fusion band Hiroshima. Directed by Duane Kubo, one of the founding members of the vanguard Asian American media arts organization, Visual Communications.

Becoming Johanna
(Jonathan Skurnik, 2016, 27min, USA, English, Digital)

When Johanna, a 16-year-old transgender Latina, begins her transition and gets kicked out of her home and school, she finds a foster family who loves her and a supportive school principal who helps her graduate and thrive.


Related event - Wed Oct 19, 7:00pm:

Virtual discussion with New Day Films founders Julia Reichert, Jim Klein, Liane Brandon, and Amalie R. Rothschild.

Register here for this event.


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Screen/Society screenings are free and open to the public.

Parking Info:  https://artscenter.duke.edu/parking


COVID-19 INFORMATION:

As we welcome audiences back for in-person screening events, we are prioritizing the health and safety of our extended community. Keeping each other safe during events will require collaboration and we are grateful for your support. Screen/Society and the Rubenstein Arts Center will adhere to all university, local, and state regulations on and off campus, which are subject to change on short notice depending on public health conditions.

Vaccination Status: We strongly encourage audience members to be fully vaccinated or have a recent negative PCR test before attending an event.  Duke University currently requires all students and employees to be vaccinated. More information on Duke University’s COVID-19 response.

Masking: Current Duke University guidelines for events apply to all presentations on campus.  As of 09/22/2022, masks are no longer mandatory for indoor screenings, though the policy could change again in the future. Masking remains one of the most effective ways to protect yourself and others, especially in indoor settings. We should respect an individual’s decision to wear a mask even if it is not required.

Stay Home If You Are Feeling Sick: If you are feeling or showing symptoms of COVID-19 or if you believe you might have come into contact with someone with COVID-19 in the last 14 days, please stay home.

Seating: For our screenings, seating is based on a first-come basis. We encourage everyone to be respectful during performances and maintain distancing as they feel comfortable.

Enhanced Cleaning: Venues on Duke University’s campus are operating under restricted access and receive enhanced cleaning and sanitization of high-touch surfaces. Duke University venue ventilation is in accordance with CDC guidelines.

Hand Hygiene: Hand sanitizer stations are positioned throughout campus venues for your convenience.

Healthy Team: All employees and vendors are required to be symptom free before entering the building, as well as wear masks at all times, and frequently wash their hands during shifts.

cruisin j town

Contact: Hank Okazaki

Email: hokazak@duke.edu

Sponsor: Duke University Archive of Documentary Arts

Co-Sponsors: Cinematic Arts, Power Plant Gallery, Asian American & Diaspora Studies Program, MFA Experimental and Documentary Arts Program, Sallie Bingham Center for Women’s History & Culture